Ep 358: Sexualized Music

Transcript Info: 

Sounds Fake But Okay Podcast

September, 28th, 2025

Speakers

Speaker 1: Sarah

Speaker 2: Kayla

Ep 358: Sexualized Music

SARAH: Hey, what's up? Hello. Welcome to Sounds Fake But Okay, a podcast where an aro-ace girl (I'm Sarah, that's me) 

KAYLA: And a bi demisexual girl (That's me Kayla) 

SARAH: Talk about all things to do with love, relationships, sexuality, and pretty much anything else we just don't understand 

KAYLA: On today's episode, ‘Sexualized Songs’

BOTH: Sounds fake, but okay

SARAH: I just realized I mistitled my file, I title it with the date usually and I fully titled it with tomorrow's date 

KAYLA: Oh, she’s stupid

SARAH: We're podcasting from the future

KAYLA: From the future

SARAH: Welcome back to the pod

KAYLA: Hello

SARAH: Or welcome to the… welcome forward to the pod

KAYLA: Oh

SARAH: Because we're podcasting from the future 

KAYLA: Right 

SARAH: How is everyone?

KAYLA: We out here 

SARAH: We out here. Kayla, do we have any housekeeping? Or is our house in pretty good condition?

KAYLA: Well, I don't know that we could ever quite say that

SARAH: Yeah, we kind of live in a general state of disarray

KAYLA: Yeah, I would say so 

SARAH: Like, it's like dusty at best, you know

KAYLA: Oh, yeah, at best 

SARAH: A pigsty at worst

KAYLA: Yeah, I can't think of anything, we have a book if you did not know 

SARAH: We do have a book 

KAYLA: Our audiobook got recommended to my sister's friend on Spotify the other day

SARAH: Oh 

KAYLA: Like, came up on the home page as recommended so that's fun. 

SARAH: Thanks Spotify overlords

KAYLA: Thanks Spotify. So, if you have I think Spotify premium… 

SARAH: Mr./Mrs. Mix Spotify 

KAYLA: Mm-hmm. I think Spotify premium comes with like a couple of audiobooks a month or something. I don't understand how we get paid for that. But… 

SARAH: I don't either 

KAYLA: I don't quite know that we're being paid for that

SARAH: Well… 

KAYLA: But you can find it there

SARAH: We're not getting paid much for the book, anyway 

KAYLA: In general, no

SARAH: Certainly not at this point 

KAYLA: No. No.

SARAH: Aren't we gonna get money soon?

KAYLA: I was just thinking, I think we were supposed to get money like over the summer and we didn’t 

SARAH: No, but didn't last year… like, we got our summer money in like September 

KAYLA: Yeah, maybe you're right

SARAH: I look forward to it being even less than it was

KAYLA: Two dollars!

SARAH: Anyway, if you want us to get more money than that, you could buy our book, you could recommend it to a friend, you could recommend it to Spotify. All right, Kayla what are we talking about this week this week? 

KAYLA: This week I was trying to think of what to discuss…

SARAH: Discuss 

KAYLA: And I was thinking about how people, some of the episodes that people bring up the most that they like is the episodes about music. Typically, the ones that we did forever ago about like making love songs and to not love songs or things like that. And I was like, I don't know that I have like that kind of creative juice going right now

SARAH: Got the juice

KAYLA: But we could still talk about music

SARAH: Mm-hmm

KAYLA: And then I was thinking, and we're like so late to this, the cultural zeitgeist has moved on, but a couple months ago when Sabrina Carpenter released the cover art for her latest album ‘Man's Best Friend’ 

SARAH: Yes

KAYLA: Everyone was so fucked up about it, everyone was pissed and screaming

SARAH: Yeah 

KAYLA: And talking about like the sexualization… There was many things discussed, but among it, like the sexualization of songs

SARAH: Mm-hmm 

KAYLA: So, I thought we could discuss the sexualization of songs, whether songs are more sexual now than they used to be 

SARAH: Mm-hmm

KAYLA: If we think the current level of sexualization is a problem, how we feel about it as acespecs, et cetara, et cetera

SARAH: Wow, you're just teasing everything we might discuss…

KAYLA: Yeah

SARAH: And I’m sure several things we won’t

KAYLA: Yeah, yeah, but those are, you know, just some things to think about 

SARAH: Okay, well, let's start with Miss Carpentry. Kayla, describe the visual of this album cover for those who are unfamiliar

KAYLA: Okay. Yeah. So, for those who are unfamiliar, I guess, just on a start level Sabrina Carpenter is a pop girly… 

SARAH: I realized a couple of months ago I had her blocked on Twitter and I was like, “why the fuck did I have her blocked on Twitter?” And Miranda was like, “did you block her when the Olivia Rodrigo stuff was happening?” and I was like, “I don't know, maybe.”

KAYLA: That would have been a wild take for you to do it

SARAH: I have no idea why I blocked her 

KAYLA: She was I think Disney maybe?

SARAH: I unblocked by the way. Yeah, she was a Disney kid. 

KAYLA: That's good. She was a Disney kid, has had a couple of very successful albums 

SARAH: She was in ‘Girl Meets World’

KAYLA: ‘Girl Meets World’

SARAH: She was in the ‘Descendants,’ was she in Descendants?

KAYLA: I actually don't think so. 

SARAH: No, she was in something else that was like musical

KAYLA: Yeah, she has been in some like movies

SARAH: Yeah, I actually used her in a recent pitch deck

KAYLA: Oh

SARAH: Because we were using Jordan Fisher as the male lead and they had been in a movie before where they had played love interests

KAYLA: Oh

SARAH: So, it made my life easier

KAYLA: There we go, that does, good for you. Anyway, her…

SARAH: She was in ‘Tall Girl’

KAYLA: She was in ‘Tall Girl’ 

SARAH: Oh, I remember because, okay, when Yeonjun from TXT met her for the first time it was like backstage like the VMAs or something, he said, so earnestly, he said, “I loved you in Tall Girl.” Like, that was his reference point for her and she thought that was very funny

KAYLA: I love that 

SARAH: Which it was 

KAYLA: Because it is, because who is watching that? That's so silly

SARAH: I saw Yeonjun the other day, I'm mad at him, he's the worst, he's public enemy number one. Okay, let's continue.

KAYLA: Okay. Her kind of breakout song was a song called ‘Nonsense’ from three albums ago now, which was a pretty sexual song. She would do like different outros at the end of the song at each like live show, she did usually like very innuendo-heavy. 

SARAH: Yeah 

KAYLA: Her next album then was also quite sexual

SARAH: She voiced Princess Vivian in ‘Sofia the First’

KAYLA: I know she did, shut up

SARAH: She was in ‘The Hate U Give’

KAYLA: Ugh, she doesn't listen to me 

SARAH: She was in an episode of ‘Austin & Ally’ 

KAYLA: Anyway

SARAH: I'm done

KAYLA: Okay. Her most recent album that came out a couple of months ago is called ‘Man's Best Friend’ 

SARAH: Mm-hmm

KAYLA: And the album cover is a shot of like a man's legs in like black dress pants and she is on the ground on all fours

SARAH: Yes

KAYLA: With like one hand on his leg and then he's holding some of her hair

SARAH: Yeah 

KAYLA: In his hand 

SARAH: As if it were like a leash 

KAYLA: A leash, yeah. And everyone freaked the fuck out

SARAH: It's satire 

KAYLA: I know 

SARAH: It's commentary 

KAYLA: And the thing is, is the album color cover came out weeks before any of the music, so, there was no way… 

SARAH: There was no context 

KAYLA: To make a real take on it because you don't know the context of the album

SARAH: Right 

KAYLA: All you have is the title of the album and the picture

SARAH: Mm-hmm 

KAYLA: And people were like, “How can she say that she's a feminist and for the girls when she's in such a degrading position?” And I saw some people being like, “she's doing like a kink thing and like I didn't consent to being part of her kink.”

SARAH: Hello! 

KAYLA: To which I'm like, hair pulling is like to me vanilla at this point. Like on the range of kink like we could not put hair pulling as like a high-level kink 

SARAH: It's not even like hair pulling, it's just kind of like holding 

KAYLA: Holding, yeah

SARAH: It's like sort of like a… you know how you're supposed to have like a slack leash, like, if you're if it's a well-behaved dog, like the leash shouldn't be taught, like, it's like she's a well-behaved dog

KAYLA: Yeah. Like, if you then listen to the album like the satire is her being like dogged by these men and I'm like, you know, like… 

SARAH: Yeah

KAYLA: When you listen to the album like it makes sense of her like making fun of herself for being led on by these men 

SARAH: Yeah. And also, her just being like, “I can't believe I fucking do this over and over and over again. Why?” 

KAYLA: Yeah 

SARAH: Like, why am I attracted to men? This is the worst.

KAYLA: Yeah. I think I saw a recent interview with her where she was saying that the grip on her hair was not supposed to be as tight as it came out in the end result but she was like, we tried like four different guys and they were all so nervous, they kept like gripping her hair too hard. So, like it wasn't even… that wasn’t even like… 

SARAH: It was supposed to be more like a gentle hair hold 

KAYLA: Yeah, a gentle hold, yeah. But people freaked out. And I… people have been freaking out about her music for the last couple of years now

SARAH: Literally, I just hopped on the Wikipedia page for this album and this second paragraph, like, before the cut…

KAYLA: Yeah 

SARAH: Is, “the cover artwork evoking dominance and submission generated controversy and significant media attention, some criticized it as appealing to the male gaze in a manner detrimental to women while others saw it as a satire in a way to challenge misogynistic expectations of women's sexual behavior. Later, Carpenter released an alternate direct-to-consumer cover which she described as, approved by God.” 

KAYLA: I do remember that, she had some alternate covers for like vinyls and CDs and stuff

SARAH: Yeah

KAYLA: I do remember she was like, “yeah, this one is approved by God.” 

[00:10:00]

KAYLA: But, no, for the past couple of years she has been really getting hounded about how sexual her songs are, I remember when she was on her last tour, the ‘Short and Sweet’ tour, which is like… seeing clips from the tour, highly sexual, because that's what her songs are. And parents were getting pissed because they were like, “I brought my young teen daughter to the show…”

SARAH: “Why did you do that!?”

KAYLA: “And then she was simulating having sex and twerking on the stage, that's so inappropriate of my young daughter.” And it’s like…

SARAH: Have you ever tried this one, why would you bring a child to that?

KAYLA: I was like, if you have a child and you are agreeing to pay a lot of money, these concerts are not cheap, a lot of money to bring that child to the concert, how are you not listening to the music beforehand?

SARAH: Yeah 

KAYLA: Like, if you are going to be the type of parent who is upset about what your child is seeing at a concert, I expect you to also be the kind of parent vetting their music. Like, you can't get to that point and then realize what your kid is listening to, choose to care earlier 

SARAH: At the very least, watch the music videos for the title tracks because that'll give you the vibe

KAYLA: Yes 

SARAH: And if you watch the music video for the title tracks and you're like, “oh!” Then you would probably say… it reminds me, I saw a TikTok recently about when the last time Halsey played in Utah, the crowd was horrible 

KAYLA: I bet 

SARAH: Because there were a bunch of people who bought tickets to see Halsey knowing like ‘New Americana’ or something, which also that song if you listen to it is not… anyway. But like not really knowing what they were getting themselves into and then they were like, “oh my God, this goes against my Mormon religion and beliefs” and it's like, well, then why did you fucking come!? Like, why did you come to a concert?

KAYLA: Yeah 

SARAH: Like, I'm sorry, Halsey is an openly bisexual, bipolar, like biracial, she has got all sorts of bi’s, she's so many bi’s 

KAYLA: All the bi’s. Also, at this point concert footage gets put up immediately. Like, I watched the full ‘Short and Sweet Tour,’ I did not attend, I know what it looked like completely because it's all over my TikTok. 

SARAH: I saw every ‘Have You Ever Tried This One’ posts?

KAYLA: Yeah, I've seen them all. I saw them nightly when it was released. Reneé Rapp started touring last night, it was all over my TikTok today and I had to ignore it because I'm seeing her next week and I didn't want to get spoiled 

SARAH: Mm-hmm

KAYLA: But like, if you want to know what kind of thing you're getting into with your child or for you, it's out there, like… 

SARAH: It's out there 

KAYLA: You can find that, like that is… you cannot be mad about that 

SARAH: Yeah

KAYLA: Anyway

SARAH: And just because she used to be a Disney star does not mean that… 

KAYLA: I know. You should… 

SARAH: Like, I'm sorry, is Miley Cyrus ‘Can't Be Tamed’ not enough… 

KAYLA: This is what I'm saying, if you are listening to or watching a former Disney star who's now mid-20s major pop star, you should go in expecting highly sexual media 

SARAH: Yeah

KAYLA: Because that's the blueprint 

SARAH: There's a lot of blowback 

KAYLA: Like, that… you should go in expecting that and then be surprised if that doesn't happen 

SARAH: Like, Disney, Nickelodeon, like Ariana Grande, Sabrina Carpenter

KAYLA: Miley Cyrus 

SARAH: Miley Cyrus, Demi Levato 

KAYLA: Even Olivia Rodrigo a little bit at this point, I feel like 

SARAH: Yeah, girl, what?

KAYLA: Yeah 

SARAH: That's what happens

KAYLA: Yeah. Which, you know, what's interesting is another thing I was thinking about this podcast topic, I think I saw this comment maybe in our Discord recently or maybe it was somewhere else online, but it was someone talking about how there's not a lot of music for younger people specifically at this point 

SARAH: Yes, I think I sent that to you

KAYLA: Which I do think is true and I do understand that as a problem, if you are… 

SARAH: There used to be music directed at tweens 

KAYLA: Tweens, yeah

SARAH: And now it's just that AI, girly pop music that's like…

KAYLA: Yeah 

SARAH: “Five lines of coke,” you know. I saw another one of those videos today 

KAYLA: “One drunk cigarette,” yeah

SARAH: So…

KAYLA: No, I think that's true. Like, I'm… You know, when we were growing up we had… Like, even thinking about like One Direction or something when we were coming up, they were not highly sexualized at all. Like, at all.

SARAH: No 

KAYLA: And like we had like the Disney stars, I guess at that point when they were young, but yeah, I think there just isn't as much of that at this point

SARAH: I think it's partially a result of the internet becoming so much more accessible to everyone including younger kids

KAYLA: Yeah 

SARAH: And so, younger kids are seeing not just what teenagers are doing but they're seeing what young adults are doing and they're seeing it way more than they ever would when they just had like an older sibling or something 

KAYLA: Yeah 

SARAH: And so, they want that, they don't want that tween shit because that's like baby-ish 

KAYLA: Yeah 

SARAH: They want to be like the big kids and as a result kids are like growing up faster and faster and faster

KAYLA: Yeah, which I think… I remember that happening a little bit when we were younger just because I was a younger sibling, I would have a little bit more access to what older kids were talking about. But it was always very limited of like, “oh, my cousin had this cd” or like, “over the summer I heard this at…” you know, wherever. But yeah, that was how information traveled, you know, through like cousins and summer camp and that's…. it doesn't happen like that anymore

SARAH: I still very clearly remember a girl I went to gymnastics with who she was a year younger than me, she had a little sister who was four years younger than her and I remember she had a Tweet when we were in high school where she posted a picture of herself at 13 compared to a picture of her sister at 13 and… 

KAYLA: Astonishing stuff 

SARAH: Even in that four year-difference it was like she looked like a tween, like a like a 13-year-old and her sister looked like she was like 16 or 17

KAYLA: Yeah

SARAH: Just that time frame, like, in the early mid 2010s everything was shifting so quickly

KAYLA: Yeah

SARAH: That it was so markedly different between a sibling who was only four years older than her sister

KAYLA: Yeah. So, I do like… from a parent perspective, I do understand that of like…

SARAH: I mean, I know someone who brought their then nine-year-old to ‘SWEAT Tour’

KAYLA: That is hilarious

SARAH: It was that child's first concert and this person did get into a bit of a tiff with their spouse about whether or not this was appropriate 

KAYLA: Yeah

SARAH: But they ultimately landed on it's okay and they went and the kid had a great fucking time

KAYLA: I bet 

SARAH: A lot of shit went over her head

KAYLA: That is… Yeah 

SARAH: A lot of shit went over her head

KAYLA: That is… I think nine is like right on the cusp of like you can get away with a lot and they don't know… that's so lit for that kid to be able to say that their first concert was at ‘SWEAT Tour’ though, that's so cool 

SARAH: And the general feedback was that the Troye Sivan opener was actually more risque

KAYLA: Yeah, I can see that 

SARAH: Than Charlie was

KAYLA: Yeah, I can see that, whatchu you gonna do? So yeah, like from that perspective if I was a parent I still can't really get on their side with being mad at Sabrina Carpenter because like I do think you should know what you're getting into

SARAH: Yeah 

KAYLA: But I can see the like, okay, there is not much… 

SARAH: Helicopter parents don't even helicopter parent anymore

KAYLA: They're doing it wrong

SARAH: Like, I'm sorry, if you're gonna be a helicopter parent, you have to actually be driving the fucking helicopter

KAYLA: Yeah 

SARAH: You can't have a drone fucking RC car helicopter, like, if you're gonna be a helicopter parent, but get in the fucking pilot seat get your license, fly the fucking helicopter

KAYLA: Tell them

SARAH: Jesus

KAYLA: Anyway, I really don't know what… I mean, tweens must just be listening to what all the rest of us are listening to

SARAH: Remember the song ‘Juliet’ by LMNT or something? 

KAYLA: I don't know

SARAH: “Hey Juliet, Hey Juliet, I think you're fine...” I still listen to that song 

KAYLA: That sounds vaguely familiar

SARAH: It’s a banger. Anyway

KAYLA: Any thoughts? Any… Is there a reason?

SARAH: Yeah, I just thought of it when we were thinking about tween, like tween things

KAYLA: Oh, I see

SARAH: Because I remember I first heard that song when I was playing with our family friends who live in Missouri, they had a daughter who was a year older than my sister and we were in Missouri one time and we were playing with her in like one of those like little plastic houses

KAYLA: Mm-hmm

SARAH: And they had one outside and it was so legit, they had like fake grass inside, they like… 

KAYLA: Dang, rich!

SARAH: They lived on a farm so it was more so accurate to farm 

KAYLA: Oh, I see. I see, the accuracy

SARAH: And there was a little chair inside

KAYLA: I see

SARAH: And I remember… I associate that song with that trip. So, I think I must have like heard it for the first time or heard it many times during that trip and she was two years older than us. So, I was like, “she's cool” 

KAYLA: “She’s cool.” 

SARAH: Anyway 

KAYLA: You know what I just thought of though? And obviously, but it's not like younger kids listening to more adult music is new

SARAH: No

KAYLA: I have a hard time talking about this from personal experience because I didn't really grow up in like a music household, I didn't like… I don't listen to a lot of music 

SARAH: Yeah, she’s a weird 

KAYLA: I'm getting better about it now, but like growing up we just like didn't listen to a lot of music. Like, we listened to NPR in the car, like, I was an NPR kid, you know?

[00:20:00]

SARAH: I had an idea for the cultural exchange on my way home that I now realize isn't even gonna work because you are weird

KAYLA: Because I didn’t grow up listening to music? What was it?

SARAH: Yeah. It was gonna be like a song that's like your parents’ music taste that you were exposed to as a child that you still like

KAYLA: I mean, I have like a little bit of that but it's like… it's probably… it's all stuff you would already know

SARAH: Ugh

KAYLA: Anyway. I think of it from like Dean's perspective, Dean has been like a Green Day stan since he was born. Like, as early as possible, that's not child-appropriate music

SARAH: No 

KAYLA: But he was listening to it as early as possible. So, it's not like it's new for younger kids to get access to that kind of thing 

SARAH: Or like the invention of like walkmans and like cd players with headphones 

KAYLA: Yeah 

SARAH: Like, that is a fairly recent thing. Like, previously if music was being played it was being played aloud in a space

KAYLA: Yeah, for everyone

SARAH: And everyone who could… who was there could hear it 

KAYLA: Yeah 

SARAH: Who was hearing, I guess, if you're deaf you can't

KAYLA: I guess 

SARAH: I like to be inclusive

KAYLA: Right, thank you

SARAH: You're welcome. One of the things that I think is interesting is… because people are saying like oh music is more sexual these days, it's more, whatever 

KAYLA: Than it used to be, yeah

SARAH: First of all, be a better helicopter parent. Second of all… 

KAYLA: Right, exactly 

SARAH: Do better. Second of all, I don't know that that's entirely true, I do think that our tolerance for sexual stuff, sexually explicit stuff is higher than it used to be

KAYLA: Yeah

SARAH: However, … Well, it's just different than it used to be. Like, back in the day a titty wasn't that scandalous

KAYLA: Yeah. It really depends on the cultural moment 

SARAH: Yeah 

KAYLA: Because you go back to certain times like ancient Greece and whatever, everyone's bits were out all over the place

SARAH: Roaring Twenties I feel like if you had a titty out at the club like no one… Like, you were already drinking illegal moonshine…

KAYLA: Right, you might as well be naked

SARAH: So, I think it depends on the context, but like if you look at like the songs that were like scandalous and like salacious in like the ‘50s and ‘60s 

KAYLA: Yeah

SARAH: It's… what was the song recently that like I… someone was talking about like how it was such a… I want to figure out what the… Scandalous songs… 

KAYLA: Oh, that'll… that's gonna be helpful

SARAH: 10 more risque and often censored songs from the 1950s. Okay, I don't know. But also, sometimes you hear songs from… that are really old that are insane, that say insane things

KAYLA: Yeah 

SARAH: Like, you know those ones where it's like, “I'm gonna kill my husband.”

KAYLA: Uh-huh. No, there's… I mean then they're all racist of course, obviously 

SARAH: Oh, yeah, yeah 

KAYLA: It makes me think about in the ‘50s how they wouldn't show Elvis's hips on TV, you know? They would only show the top half of Elvis, because they were like, “oh, his hips moving is gonna make all the girls pregnant just to see it.” 

SARAH: Right 

KAYLA: I mean, it's just like you can't compare things, because also that was just when they were allowed to wear skirts above the knee, you know? 

SARAH: Yeah

KAYLA: It's really hard to compare that 

SARAH: And what was scandalous and salacious and… there's a word that I'm trying to think of and it's not scandalous or salacious but it's…

KAYLA: Risque? 

SARAH: Risque, I think it's risque. What was risque at that point is different from what's risque now, but that doesn't mean that they weren't saying risque things for the era at that time

KAYLA: Yeah 

SARAH: So, people at that time, the conservatives and their little buttoned up poodle skirts that go down to hell, they're so far you can't see no ankles are…

KAYLA: Right 

SARAH: Although poodle skirts you could see ankles, that was the whole thing. Anyway, it doesn't matter, point being those people had objections to the risque nature of these songs about like a man and a woman going dancing 

KAYLA: Yeah 

SARAH: They're unmarried, whoa, oh, we have an innuendo. It's just… it was less on the nose, it was less wet ass pussy 

KAYLA: Yeah 

SARAH: And more, oh, we're gonna have a good night sort of thing

KAYLA: Right, no exactly. It's also I think every generation we have a new moral panic. Like, history just repeats itself that there's always going to be some new thing, there's going to be shorter skirts, there's going to be different ways of saying things and people are going to get in the same moral panic over and over and over again

SARAH: Can I read you the lyrics to this song called ‘Butcher Pete’ by Roy Brown and his Mighty Men from 1950?

KAYLA: I'm afraid

SARAH: “There is an old woman who's 92, lives down the street, she said, one thing more I want to do is find old Pete and let him chop my meat.”

KAYLA: Oh

SARAH: “He's hacking and whacking and smacking me. He is hacking and whacking and smacking me.”

KAYLA: See this is what… you have Cardi B sing that with a beat behind it and that's like the same thing as we're listening to now, you know?

SARAH: Uh-huh 

KAYLA: That's the same thing

SARAH: Yeah 

KAYLA: That's horrifying 

SARAH: This is this is a song called ‘Rocket 69’ What do you think that's about? 

KAYLA: You see? Literally, come on people

SARAH: This is a song called ‘Ride Daddy Ride’

KAYLA: No. See, this is not new people, there's just more access to it now

SARAH: This one is called, ‘My Man Stands Out’ by Julia Lee and her Boy Friends, two words

KAYLA: Oh, that's fun 

SARAH: “Down at the beach when we walk by the other girls give him the eye because my man stands out. Yes, my man stands out. I'm crazy about the way my man stands out.” And the commentary on this website says, “I don't think she means distinguished but I do think she's trying to say something does stand out.” And then the lyrics go on, “I like the way he fools around and then the way he goes to town because my man stands out. Yes, my man stands out, I'm crazy about the way my man stands out.”

KAYLA: It's definitely saying something

SARAH: Ooh, this song is called, ‘Just Stroke It.’

KAYLA: Nope 

SARAH: So, a lot of these… I mean, there were songs that were censored

KAYLA: Yeah 

SARAH: Splish splash, you know the “splish splash, I was taking a bath” 

KAYLA: Yeah 

SARAH: So, that was censored

KAYLA: Wait, why? They were just taking a bath

SARAH: It was too suggestive for some radio stations because when you take a bath you're naked

KAYLA: You’re naked. Doesn't Elmo sing that song?

SARAH: Yes 

KAYLA: There was like an Elmo movie or something where he sang that song

SARAH: Yeah. Okay, we have ‘Wake Up Little Susie’ by the Everly Brothers, the lyrics describe a young couple who frantically wake at 4 a.m. after innocently falling asleep following their movie date. However, some radio stations in Boston weren't convinced the fictional pair were just sleeping and banned it from the air. Catholics, the fucking Catholics. 

KAYLA: This puritan ass city where you can't have Happy Hour and bars close at 12, I hate it here

SARAH: Okay, ‘Let's Spend the Night Together’ by The Rolling Stones… 

KAYLA: There's a band called the ‘Sex Pistols’ by the way 

SARAH: There is 

KAYLA: Not new

SARAH: So, this says regarding ‘Let's Spend the Night Together,’ the title and lyrics aren't very subtle about the message Mick Jagger was trying to convey, but the front man agreed to tone down the title to ‘Let's Spend Some Time Together’ while performing for Ed Sullivan 

KAYLA: Huh!

SARAH: So, they censored ‘Let's Spend the Night Together’ 

KAYLA: Night together, yeah 

SARAH: They said that's too explicit we have to make it ‘Let's Spend Some Time Together’

KAYLA: That’s so funny, that's so silly 

SARAH: ‘Brown Eyed Girl’ 

KAYLA: What!? 

SARAH: There's a line about making love in the green grass

KAYLA: Oh, okay, my bad 

SARAH: Yeah. ‘Wouldn't it be Nice’ by the Beach Boys, some believed it encouraged premarital relations

KAYLA: Relations

SARAH: ‘I Saw Mommy Kissing Santa Claus’

KAYLA: That got censored? 

SARAH: At the Catholic Church

KAYLA: I mean, it is adultery

SARAH: At age 13 the artist, Jimmy Boyd, was eventually able to have the ban lifted after speaking personally with church leaders according to the Chicago tribune

KAYLA: I thought they were gonna say the pope himself

SARAH: Anyway, all this to say there have always been risque and scandalous songs, we just have a different metric for what risque and scandalous is 

KAYLA: Yeah 

SARAH: Depending on the cultural context

KAYLA: It's also just more accessible, everything is more accessible now

SARAH: Mm-hmm

KAYLA: So, it's just… you're gonna see it more 

SARAH: Before, if you wanted to listen to the Sex Pistols you had to go into a weird cd speakeasy record shop

KAYLA: Speakeasy! 

SARAH: And buy the fucking record, never having heard it before

KAYLA: Yeah 

SARAH: Now, you can just find anything on YouTube or TikTok or like playing in your local Sephora

KAYLA: Yeah

SARAH: Now, to be fair, I know someone who used to work at Sephora, they had a corporate Sephora playlist, you couldn't go outside the corporate Sephora playlist, but… 

KAYLA: Yeah, I think most stores are probably like that

SARAH: Yeah

KAYLA: Sarah, as an ace-spec does it bother you how much songs are sexual at this point?

SARAH: No more than anything else. We've talked about before on this podcast how like so many songs are love songs and so many songs are about like sex and romance and like partying and like whatever

KAYLA: Yeah 

SARAH: I don't think there has been a marked change in my lifetime about what any of that looks like 

KAYLA: Yeah 

SARAH: It's just manifesting in different forms

[00:30:00]

KAYLA: Yeah, I think that's true. I don't think… if you take like percentage-wise of how many songs are about sex and romance and how many aren't, yeah, I think it's… 

SARAH: I'm used to it 

KAYLA: I can't imagine it's that different. I think maybe it's just the artists who are really big right now happen to also be people that write about sex and romance

SARAH: Okay, but like Madonna, like… 

KAYLA: Yeah, that's true. I think it's also very genre-specific 

SARAH: Yeah 

KAYLA: If you're like a punk guy like they're gonna be singing about like the government more, you know? Like, it's very… 

SARAH: Well, okay, they're gonna be singing about the government but they're like also gonna be singing about like blow jobs in the alley, like… 

KAYLA: No, I know, but I'm just… like, it is I think very genre-specific, like, there are certain genres that... 

SARAH: Yeah

KAYLA: Sing about it 

SARAH: Christian Rock for example, not really gonna get into blow jobs in the alley

KAYLA: No, but probably gonna talk about love a decent amount, I would guess 

SARAH: Yeah 

KAYLA: Romance, probably not sex 

SARAH: God's eternal love

KAYLA: I meant… okay

SARAH: The love for your partner that is through the Lord

KAYLA: That you have through God, yeah 

SARAH: And how you would never fuck before marriage

KAYLA: No, of course, not 

SARAH: You can't even side hug before marriage

KAYLA: Nope 

SARAH: It's not allowed 

KAYLA: You won't get raptured or whatever

SARAH: I saw a thing today about a woman who surrendered her children to CPS because she thought she was gonna get raptured… 

KAYLA: But not the kids!? That's mean 

SARAH: And now she's trying to get them back 

KAYLA: I bet 

SARAH: And CPS is like…

KAYLA: Mm mm 

SARAH: “Noooo”

KAYLA: Yeah, I don't think I so. I saw a lot of people selling their cars selling, selling like… 

SARAH: I saw someone sold their house on Facebook Marketplace

KAYLA: Which, here's what I don't get about that

SARAH: Mh 

KAYLA: You can't take the property or the money with you 

SARAH: No 

KAYLA: So, what's the point of selling it? 

SARAH: There isn't one. For those who don't know… 

KAYLA: Like, why I’m I gonna sell my car to get the money?

SARAH: Recently in the past week suddenly everyone became up in arms about a new upcoming rapture that didn't happen

KAYLA: It was supposed to be yesterday as we're recording this, the 23rd, we were supposed to be raptured, I wasn't, I can say that much 

SARAH: I'm in hell

KAYLA: Oh, okay

SARAH: I saw a thing that was like, “what if the rapture did happen? But it was just like a Good Place situation where not anyone was good enough to make the cut?” 

KAYLA: My thing is like, what if we were raptured, all went to hell, but like we've already… it's the same?

SARAH: Yeah, so that's a good place?

KAYLA: No, I… Yeah, I guess. But I just meant like things are so bad right now anyway that… 

SARAH: We are in hell 

KAYLA: Earth is indistinguishable from hell 

SARAH: This is hell, yeah 

KAYLA: Yeah. It's what I was trying to say 

SARAH: Yeah. Yeah, no every time I see discourse online, I think, this is hell 

KAYLA: Yep 

SARAH: This is hell

KAYLA: I mean, and we might already be here. Kind of a comforting thought 

SARAH: Yeah 

KAYLA: I think. Anyway 

SARAH: Can it really get worse? Probably, but like… 

KAYLA: Probably. But it's not real because we're in hell and it's a simulation

SARAH: Mm. But then the problem with that is then you think nothing you do matters

KAYLA: Yeah 

SARAH: And then people start doing shit because they're like…

KAYLA: Because they’re all in hell anyway, yeah, that's fair 

SARAH: And then they make things markedly worse for the other people surrounding them. Like, okay, even if this is hell, maybe let's not try and make it worse

KAYLA: I suppose, you have a point 

SARAH: Anyway

KAYLA: Anyway 

SARAH: That was your philosophy for the week. I actually need to… I need to read Nietzsche

KAYLA: Okay. Are you sure?

SARAH: What? For research

KAYLA: Oh boy! 

SARAH: I feel like I need to at least have some… you know what book I have that I've owned for a long time that I haven't read yet, which I should read, is the book by Michael Schur, the creator of the ‘Good Place’ and ‘The Office’ and ‘Parks and Rec’ about philosophy

KAYLA: That does sound very interesting. I just finished Katabasis by R. F. Kuang and there's like a lot of philosophy references and they talk about Nietzsche a lot

SARAH: Yeah

KAYLA: And I was like, I'm just gonna take your word for it

SARAH: I need to familiarize myself more with Nietzsche because in the thing I'm writing the main character is like hardcore nihilist

KAYLA: Yeah, you should probably do some research

SARAH: Yeah, so like I need to like understand it

KAYLA: Yeah, that's a good call

SARAH: She's not like a philosopher, like, she's not like an academic about it, but like I need to understand the background, you know?

KAYLA: Yeah, that's fair

SARAH: So, stay tuned to find out if I become a nihilist

KAYLA: I can't wait for our philosophy episode

SARAH: If I did become a nihilist, it would ruin the whole arc of the novel

KAYLA: That's pretty tough

SARAH: So, I hope I don't become one 

KAYLA: Yeah, I hope so too 

SARAH: I don't think I will. I'll start by reading the Mike Schur book, anyway. What?

KAYLA: Music 

SARAH: Music. You know some people think music is the devil 

KAYLA: Who?

SARAH: Super, super religious people

KAYLA: That doesn't make sense to me though because like, why? 

SARAH: I don't know, because it's nice and we can't have nice things

KAYLA: I feel like they're playing music in the Bible like all the time

SARAH: Are they? 

KAYLA: I don't know, I just kind of over his picture Jesus is like a guitar guy, you know 

SARAH: Like a guitar guy, like in Barbie? 

KAYLA: He's like bringing a guitar to the… Yeah, no don't you think? Jesus is whipping out the guitar all the time 

SARAH: He's that guy in summer camp 

KAYLA: That's why Judas killed him, he was like, “enough”

SARAH: “Enough of this shit.” Except he was a liar

KAYLA: Yeah

SARAH: Okay, sure. I was gonna say something then I forgot, I got distracted by Jesus was a liar. And also, you said Judas and I just pictured Adam Lambert 

KAYLA: Mm-hmm

SARAH: Oh, I know what it was. I think I mentioned this before, I accidentally got a Catholic hymn on my on-repeat playlist on Spotify

KAYLA: Uh-oh

SARAH: Because of my writing, mind you it's the same project as the nihilist one. So, I don't know what that says 

KAYLA: Much to consider there 

SARAH: Much to consider. Anyway

KAYLA: I think often for me as an acespec I listen to like super-sexual songs more as a like, I don't know, like an outside observer, just like, “oh, that's nice. Good for you.” 

SARAH: Like, listening to the new Reneé Rapp album, I was like, “I don't relate to any of this”

KAYLA: Any of this 

SARAH: “But I love that it's queer and I love that it's here and I support you.” 

KAYLA: I know, yeah, I really couldn't relate to that much either because I was like… I don't know, this is just not my lifestyle, but I… Really catchy tunes, I’m still gonna listen, great time

SARAH: Yeah 

KAYLA: Like, I don't need to fully relate to it to be like, “hell, yeah”

SARAH: I very much do appreciate songs that are not about sex and romance and partying and whatever that I feel that I can relate to but obviously they're not all going to be that, and every song that you listen to you don't have to have a super-personal connection to anything, everything, what? Huh? 

KAYLA: Yeah

SARAH: You know

KAYLA: I mean, it's kind of like we were talking about last week of like acespecs reading and writing smut and romance and stuff I saw a lot of people talking about in response to the episode of like, yeah, I don't have to have any kind of like personal…

SARAH: Personal stake in this 

KAYLA: Connection to it, it can just be interesting and entertaining

SARAH: Yeah, it's like… so, like the national anthem of the United States of America…

KAYLA: Oh

SARAH: Okay? “O say can you see, by the dawn's early light, What so proudly we hail'd at the twilight's last gleaming” I can't relate to that because I wasn't there during the revolutionary war but according to science and the constitution and our Overlords they think I should deify that song, but I wasn't there, I can't relate to it

KAYLA: A really bad example 

SARAH: I think that's the best example 

KAYLA: A really bad example. Really bad stuff, really bad stuff 

SARAH: ‘By the dawn's early light …’

KAYLA: I don't want to talk about that

SARAH: ‘What so proudly we hail'd …’ Is it the… I didn't even think about Donzalee until just now

KAYLA: I've been thinking about it, that's all I've been thinking about

SARAH: That's not even why I brought it up

KAYLA: Moving on

SARAH: Donzalee

KAYLA: I do understand though where an acespec would come from

SARAH: Oh, absolutely

KAYLA: Annoyed. Like, I… 

SARAH: I think I'm just immune to it. I'm just like… 

KAYLA: Yeah 

SARAH: I'm not immune to it, I'm like numb to it, I'm so used to it that it can hardly bother me anymore

KAYLA: Yeah 

SARAH: And I'm also lucky to be in a situation where like I am not like so sex-averse that it's like triggering to me

KAYLA: Yeah

SARAH: But yeah, I'm just like well, yeah, that's how it is, so…

KAYLA: Yeah, which is unfortunate that that has to be the mindset that you come into it with but… 

SARAH: Yeah

KAYLA: You know?

SARAH: Yeah. Well, here we are 

KAYLA: Here we are

SARAH: Kayla, do you have anything else you would like to add?

KAYLA: Nothing interesting, I don't think 

SARAH: Great. Kayla, what is our poll for this week? Oh, she's yawning, she's that sick of this topic 

KAYLA: So sick of this shit, no. Do you think songs are more sexual now than they used to be? Thoughts? 

SARAH: I also think… I mean, we kind of touched on this but like just because they were portrayed with innuendo in the past and people are using words like “wet ass pussy” and “fuck cunt” these days like that doesn't mean that the meaning they're portraying is any different

[00:40:00]

KAYLA: Yeah 

SARAH: It's just different supposedly more explicit words versus innuendo

KAYLA: I can't wait to see how more explicit we get in the future, if this is where we are now, I cannot wait to see where we are in 20 years 

SARAH: They're gonna be inventing new slurs

KAYLA: Because how do you get more explicit than “wet ass pussy” 

SARAH: New wizard slurs… 

KAYLA: I cannot wait to see…

SARAH: Wet…

KAYLA: How we could possibly get more explicit 

SARAH: “Wet fuck cunt,” that's more explicit 

KAYLA: That's something, all right

SARAH: I'm just…

KAYLA: Anyway

SARAH: Coming up with examples for you. Okay. Yes, that's our poll, I forgot what it was, but is there, or has it? Yes, or no or maybe or who knows? You can tell us… you can answer… you can answer our poll… Oh, Kayla, are you gonna start putting the poll in Discord?

KAYLA: Yeah, I saw that and… yeah, we'll see 

SARAH: We'll see. Okay, great. Someone offered to put it in Discord for you

KAYLA: Did they? That's amazing

SARAH: Yeah 

KAYLA: Aww, that’s nice. I just think I kind of always assumed that like if people wanted to answer it in Discord and talk about it they just like would 

SARAH: They just would 

KAYLA: Without like me prompting. But I can prompt you, I can prompt you, that's fine 

SARAH: Oka. Anyway, you can find that poll on our Instagram, @soundsfakepod, maybe in our Discord, the… 

KAYLA: And if it's not there, you can feel free to discuss it any time

SARAH: You can talk about it anyway 

KAYLA: You don't need… don't wait for me, talk away 

SARAH: You can join our Discord, there's a link in every description of every podcast to join our Discord

KAYLA: That’s true 

SARAH: Things happen over there sometimes. On our… This podcast episode has already been like eight minutes longer than all of ‘Man's Best Friend’ by Sabrina Carpenter, I just looked at the length 

KAYLA: Such a good album, y'all should really be listening to that

SARAH: It's… 

KAYLA: I get to see her next month. Aaahhhh!

SARAH: There are some songs that I like, I think we've discussed… 

KAYLA: It's not for everyone, I don't think but it is for me

SARAH: Yeah. It's for Kayla. Social media @soundsfakepod. We also have a Patreon patreon.com/soundsfakepod…

KAYLA: We did not do beef or juice

SARAH: Go ahead

KAYLA: Go ahead. My beef is that there was an electricity mishap in my apartment yesterday such that we did not have it

SARAH: Oh

KAYLA: And that was greatly upsetting but everything is fine now but I was sad I did throw a bit of a fit about it 

SARAH: Classic 

KAYLA: Because what are you gonna do? My juice is that I've been watching ‘The Great Pottery Throw Down’

SARAH: Mm hmm

KAYLA: It's like ‘The Great British Bake Off’ but for pottery and some seasons are on HBO if you're in the US and there are many that are not but I have a dealer of such digital things and so now I've been able to watch it 

SARAH: Is the dealer a person or just a website? 

KAYLA: It's a person who built a website specifically to deal things to their friends

SARAH: It's a person you know?

KAYLA: Yeah, my friend built… there's a way that you can like make a server, like, host your own server

SARAH: I think you've mentioned this before, this is ringing a bell

KAYLA: And so, it like looks like… like, I have an app on my phone and my TV like it's Netflix but it's just like my friend running the server and you can like request anything that you want to get put on it and it's definitely a hundred percent… a thousand percent legal and fine 

SARAH: Yeah 

KAYLA: I wouldn't know 

SARAH: You wouldn't pirate a ship, would you?

KAYLA: I wouldn't pirate anything and I wouldn't know anything about it either, if you ask me how it works, I don't know, so, I couldn't possibly say 

SARAH: Right. Okay. My juice is I saw TXT over the weekend, it was great. My beef is they did a bunch of good songs on day two of Chicago, but I couldn't be at day two in Chicago because I had to go to work

KAYLA: Booo

SARAH: I had to wake up at 4:55 a.m. Chicago time get on an aeroplane, fly four and a half hours to Los Angeles, land at LAX, drive straight to work, work an entire work day, and then come home 

KAYLA: Oh 

SARAH: I'm sad. Like, why did Yeonjun put on the knee pad if he wasn't gonna do GGUM, you know?

KAYLA: Right, I was asking the same thing 

SARAH: Exactly. And they got Thursday's child as far to go and they got back from where my mom really wanted and they got cat and dog Korean version. So, they got to feel like Cinderella naega byeonhae and what's the other thing they got? I forgot. My other beef is that so my cat has one of those like ball track toys that she really likes and sometimes she yeets the ball out of the track

KAYLA: Yeah 

SARAH: And she yut the ball out of the track while I was at work yesterday and I can't find it, I don't know where it is

KAYLA: Oh, that's tough

SARAH: I have other balls that I can put in that like fit but this ball is like weighted, it's like heavier so she likes it better because it like rolls better. So, I gotta find it 

KAYLA: Tell her to stop yutting it 

SARAH: She yut it

KAYLA: She yut it 

SARAH: The other day to my co-worker was saying something to her about shooting her shot and I was like… I was trying to say it past tense, I was like, “you shut…” 

KAYLA: “Shut it”

SARAH: “You shut your shoot” and then I was like, “you shut your shit.”

KAYLA: Right, exactly

SARAH: You shit your shot. And she was like, “exactly” 

KAYLA: “Exactly”

SARAH: Anyway. Okay. Now you can tell us your beef or your juice or answer our poll or whatever on our social media @soundsfakepod. We also have Patreon patreon.com/soundsfakepod if you would like to support us there instead of buying our book or in addition to buying our book, that could be cool too. Our $5 patrons who we're promoting this week are Cinnamon Toast Punch, Colleen Walsh, Danielle Frye, Emily Jean and Galvin Ford.  I want a cinnamon toast crunch now, and I don't have any. Our $10 patrons are Alastor who would like to promote the podcast ‘Shadows and Shenanigans.’ Ani who would like to promote the importance of being kind yourself and other... others, plural, not just one other. Arcnes who would like to promote the Trevor Project. Benjamin Ybarra who would like to promote Tabletop Games and Clare Olsen who would like to promote Impact_Frame. Our other $10 patrons are Derick & Carissa, Elle Bitter, Eric, my aunt Jeannie, Johanna, Kayla's dad, Maff, not Marph, Martin Chiesl, Purple Hayes, Quartertone, I bet I also because Martin Chiesl comes after Maff, that's probably why I said Marph

KAYLA: Martin Gazelle 

SARAH: No. Barefoot Backpacker. I think I said Quartertone but I'm gonna say it again just in case. SongOStorm and Val. Our $15 patrons are Ace who would like to promote the writer Crystal Scherer, Nathaniel White, NathanielJWhiteDesigns.com, Kayla’s Aunt Nina who would like to promote katemaggartart.com and Schnell who would like to promote accepting everyone is different and that's awesome. Our $20 other patrons are Changeling & Alex who'd like to promote their company ControlAltAccess.com and Dragonfly, and my mom and river who would like to promote Allstate Arena in Rosemont Illinois is a horrible venue

KAYLA: Oh, no

SARAH: It's truly awful 

KAYLA: I hate that 

SARAH: I had heard bad things and it really lived up to the hype

KAYLA: Dang 

SARAH: But they would like to promote flying across the country to see K-pop concerts with your mom

KAYLA: Mm-hmm

SARAH: I had another thing that they were gonna promote and I forgot it. Thanks for listening, tune in next Sunday for more of us in your ears 

KAYLA: And until then, take good care of your cows

[END OF TRANSCRIPT]

Sounds Fake But Okay